The Colombian Reggaeton Singer Who Is From Medellin...

Maluma, the colombian reggaeton singer who is from Medellin Colombia, and Pitbull, the hip hop reggaeton singer who’s from Miami Florida, share some familiar similarities and vast differences in their background and songs. Both Maluma and Pitbull sing and rap to reggaeton music. With this in mind, reggaeton originated in Puerto Rico and is considered hip hop and latin american music. Reggaeton is also sung in spanish. Maluma began his music career in 2010 while Pitbull began in 2001. Uniquely, both singers perform live for their fans and neither of them are retired yet. Although Maluma started out at a much later period than Pitbull, he still has the same tone as Pitbull does in his songs. Maluma and Pitbull can each carry out beautiful vocal sounds and harmonize to music wonderfully. Correspondingly, they are extremely professional singers. For example, Maluma sings with a lot of low yet powerful vocals while Pitbull sings with medium to high pitched vocals. In general, the b etter they sound to their audience, the more they will rise to fame. Another key point is that they both feature other artists in some of their songs. Maluma and Pitbull can influence people to learn more about their culture, learn about their musical influence, and learn about their albums and visit them live in concert to experience an amazing show. Additionally, Pitbull comes from a beautiful city with a breathtaking view of Miami’s beach and Maluma comes from a place of tall buildings and artworkShow MoreRelatedPitbull Vs Malum Who Are Maluma And Pitbull, And How Did They Get Into The Music Industry1294 Words   |  6 PagesPitbull vs Maluma  Ã‚  Ã‚     Ã‚  Ã‚   Who are Maluma and Pitbull, and how did they get into the music industry, how successful are they now? Maluma and Pitbull are two well known artists that share the same genre of music, but also have their differences in other genres of music they play,but have other difference in how they got into the industry. There music is known for the Reggaeton, hip hop and pop. Their musical classification is different to each other. Even though they do share the same genre, they have

The Theme of True Love in A Midsummer Nights Dream by...

The Theme of True Love in A Midsummer Nights Dream by William Shakespeare The overriding theme of the play A Midsummer Nights Dream by William Shakespeare deals with the nature of love. Though true love seems to be held up as an ideal, false love is mostly what we are shown. Underneath his frantic comedy, Shakespeare seems to be asking the questions all lovers ask in the midst of their confusion: How do we know when love is real? How can we trust ourselves that love is real when we are so easily swayed by passion and romantic conventions? Some readers may sense bitterness behind the comedy, but will probably also recognize the truth behind Shakespeares satire. Often, love leads us down blind alleys and makes us do things we†¦show more content†¦Not that he is truly malevolent, but his tricks make people uncomfortable. However, they dont seem to do any permanent damage. He casts an ironic eye on humanity. Thinking of people as fools, he loves to make fools of them. He expresses this idea when he states What fools these mortals be†¦ Bu t laughter, not tears, is his aim. With his quickness, ventriloquism, and shape-changing ability, he clearly has magic fairy powers of his own. Meddling in the affairs of lovers and administering Cupids love juice, clearly presents Shakespeares views on the nature of love. Pucks mischievous ways may allow him to meddle within the affairs of the lovers, however, does this interference do more harm than good? This scene begins with Oberon encountering Puck in the middle of the woods. Puck, very excited, explains his actions. He tells Oberon how he caused Titania to fall in love with Bottom, who now has a donkey head. Puck also tells him that the Athenians had been placed under the spell causing them to fall magically in love. Oberon is very pleased with Pucks efforts, and agrees that the situation turned out better than expected. However, Oberon soon realizes Puck had made a mistake by causing the Athenian to fall in love with the wrong person. Oberon admonishes Puck for his mistake. Because of Puck, true love has been turned, and not a false turned true.Show MoreRelatedWeathering the Storms of True Love1159 Words   |  5 Pages Sitting on a porch swing with ones true love hugging and kissing as the moon smiles down upon them, seems like the perfect situation for true love. Unfortunately, nothing could be further from the truth. Shakespeare presents the truth about true love in his comical tragedy A Midsummer Nights Dream. Lysander clearly stated loves situation when he told Hermia the course of true love never did run smooth (Griffiths 94). In some ways Lysanders declaration becomes the plays structuralRead MoreWilliam Shakespeare s A Midsummer Night s Dream1474 Words   |  6 Pagesinstance, one could look at the movies A Midsummer Night’s Dream and Shakespeare in Love. 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Love is present everywhere, in every form, in every condition and even when one least expects it.       Read MoreThe Theme of Love in A Midsummer Nights Dream by William Shakespeare1563 Words   |  7 PagesThe Theme of Love in A Midsummer Nights Dream by William Shakespeare In A Midsummer Nights Dream, Shakespeare presents us with multiple types of love by using numerous couples in various different situations. For example: Doting loves, the love induced by Oberons potion and in some aspects, Lysander and Hermias love for each other; there are true loves: Oberon and Titania, Lysander and Hermia (for the first half at least, as Lysanders love switches to Helena temporarily)Read MoreEssay on Human Nature in Hamlet and a Midsummer Nights Dream1314 Words   |  6 Pagespeople to love, then destroy, then love again that which they value the most.† –Unknown. 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Shakespeare managed to create a dream world for the audience using the characters tied to a plot filled with antics and themes that everyone canRead MoreThemes, Motifs and Symbols in A Midsummer Nights Dream Essay1041 Words   |  5 Pages Throughout the play, â€Å"A Midsummer Night’s Dream, written by William Shakespeare, are several themes, motifs, and symbols. Dreams are a reoccurring theme. Dreams are connected to the unexplainable and mysterious events, occurring in the woods. â€Å"A Midsummer Night’s Dream† can be compared to â€Å"The Tempest†, also written by Shakespeare, because it contains the same theme of dreams- â€Å"That, if I then had waked after long sleep, / Will make me sleep again: and then, in dreaming†Read More The Role of the Forest in Midsummer Nights Dream and As You Like It1387 Words   |  6 Pages William Shakespeare often compares imagination and reality in his plays. He explores this comparison through the role and purpose of the forests in Midsummer Nights Dream and As You Like It. Midsummer Nights Dream focuses on imagination and escape, while As You like It focuses on reality and self discovery. Imagination plays a key role in Midsummer Nights Dream. Puck, a fairy servant and friend of Oberon watches six Athenian men practice a play to be performed for Theseus wedding in theRead MoreThe Roots Of Fantasy Assignment : A Midsummer Night s Dream911 Words   |  4 PagesThe Roots of Fantasy Assignment: A Midsummer Night’s Dream William Shakespeare’s A Midsummer Night’s Dream was written in the early modern period somewhere between 1595 and 1596. The play showcases elements of the fantasy genre which not only influence the plot and overall world of the play but significantly developed and contributed to the genre itself. Shakespeare contrasts the lawful setting of Athens with the enchanted, magical world of the forest, capturing how the role of imagination andRead More Night in William Shakespeares A Midsummer Nights Dream Essay1379 Words   |  6 PagesNight in William Shakespeares A Midsummer Nights Dream One of the recurring themes throughout Shakespeare’s A Midsummer Night’s Dream is the time of day during which the play’s major action takes place: night. This being the case, there are certain words that are directly linked to this theme that appear numerous times throughout the script. Four such words are â€Å"moon,† â€Å"moonlight,† â€Å"moonshine,† and â€Å"lunatic.† Each comes from a feminine root that serves to identify the women in the play as

Of simulation and dissimulation Essay Example For Students

Of simulation and dissimulation Essay Dissimulation is but a faint kind of policy, or wisdom; for it asketh a strong wit, and a strong heart, to know when to tell truth, and to do it. Therefore it is the weaker sort of politics, that are the great dissemblers. Tacitus saith, Livia sorted well with the arts of her husband, and dissimulation of her son; attributing arts or policy to Augustus, and dissimulation to Tiberius. And again, when Mucianus encourageth Vespasian, to take arms against Vitellius, he saith, We rise not against the piercing judgment of Augustus, nor the extreme caution or closeness of Tiberius. These properties, of arts or policy, and dissimulation or closeness, are indeed habits and faculties several, and to be distinguished. For if a man have that penetration of judgment, as he can discern what things are to be laid open, and what to be secreted, and what to be showed at half lights, and to whom and when which indeed are arts of state, and arts of life, as Tacitus well calleth them, to him, a habit of dissimulation is a hinderance and a poorness. But if a man cannot obtain to that judgment, then it is left to him generally, to be close, and a dissembler. For where a man cannot choose, or vary in particulars, there it is good to take the safest, and wariest way, in general; like the going softly, by one that cannot well see. Certainly the ablest men that ever were, have had all an openness, and frankness, of dealing; and a name of certainty and veracity; but then they were like horses well managed; for they could tell passing well, when to stop or turn; and at such times, when they thought the case indeed required dissimulation, if then they used it, it came to pass that the former opinion, spread abroad, of their good faith and clearness of dealing, made them almost invisible. There be three degrees of this hiding and veiling of a mans self. The first, closeness, reservation, and secrecy; when a man leaveth himself without observation, or without hold to be taken, what he is. The second, dissimulation, in the negative; when a man lets fall signs and arguments, that he is not, that he is. And the third, simulation, in the affirmative; when a man industriously and expressly feigns and pretends to be, that he is not. For the first of these, secrecy; it is indeed the virtue of a confessor. And assuredly, the secret man heareth many confessions. For who will open himself, to a blab or a babbler? But if a man be thought secret, it inviteth discovery; as the more close air sucketh in the more open; and as in confession, the revealing is not for worldly use, but for the ease of a mans heart, so secret men come to the knowledge of many things in that kind; while men rather discharge their minds, than impart their minds. In few words, mysteries are due to secrecy. Besides to say truth nakedness is uncomely, as well in mind as body; and it addeth no small reverence, to mens manners and actions, if they be not altogether open. As for talkers and futile persons, they are commonly vain and credulous withal. For he that talketh what he knoweth, will also talk what he knoweth not. Therefore set it down, that an habit of secrecy, is both politic and moral. And in this part, it is good that a mans face give his tongue leave to speak. For the discovery of a mans self, by the tracts of his countenance, is a great weakness and betraying; by how much it is many times more marked, and believed, than a mans words. For the second, which is dissimulation; it followeth many times upon secrecy, by a necessity; so that he that will be secret, must be a dissembler in some degree. For men are too cunning, to suffer a man to keep an indifferent carriage between both, and to be secret, without swaying the balance on either side. .u937bbe0e5f6c94c403ce28f7b6ba6068 , .u937bbe0e5f6c94c403ce28f7b6ba6068 .postImageUrl , .u937bbe0e5f6c94c403ce28f7b6ba6068 .centered-text-area { min-height: 80px; position: relative; } .u937bbe0e5f6c94c403ce28f7b6ba6068 , .u937bbe0e5f6c94c403ce28f7b6ba6068:hover , .u937bbe0e5f6c94c403ce28f7b6ba6068:visited , .u937bbe0e5f6c94c403ce28f7b6ba6068:active { border:0!important; } .u937bbe0e5f6c94c403ce28f7b6ba6068 .clearfix:after { content: ""; display: table; clear: both; } .u937bbe0e5f6c94c403ce28f7b6ba6068 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u937bbe0e5f6c94c403ce28f7b6ba6068:active , .u937bbe0e5f6c94c403ce28f7b6ba6068:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u937bbe0e5f6c94c403ce28f7b6ba6068 .centered-text-area { width: 100%; position: relative ; } .u937bbe0e5f6c94c403ce28f7b6ba6068 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u937bbe0e5f6c94c403ce28f7b6ba6068 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u937bbe0e5f6c94c403ce28f7b6ba6068 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u937bbe0e5f6c94c403ce28f7b6ba6068:hover .ctaButton { background-color: #34495E!important; } .u937bbe0e5f6c94c403ce28f7b6ba6068 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u937bbe0e5f6c94c403ce28f7b6ba6068 .u937bbe0e5f6c94c403ce28f7b6ba6068-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u937bbe0e5f6c94c403ce28f7b6ba6068:after { content: ""; display: block; clear: both; } READ: The Darkness of Macbeth EssayThey will so beset a man with questions, and draw him on, and pick it out of him, that, without an absurd silence, he must show an inclination one way; or if he do not, they will gather as much by his silence, as by his speech. As for equivocations, or oraculous speeches, they cannot hold out long. So that no man can be secret, except he give himself a little scope of dissimulation; which is, as it were, but the skirts or train of secrecy. But for the third degree, which is simulation, and false profession; that I hold more culpable, and less politic; except it be in great and rare matters. And therefore a general custom of simulation which is this last degree is a vice, rising either of a natural falseness or fearfulness, or of a mind that hath some main faults, which because a man must needs disguise, it maketh him practise simulation in other things, lest his hand should be out of use. The great advantages of simulation and dissimulation are three. First, to lay asleep opposition, and to surprise. For where a mans intentions are published, it is an alarum, to call up all that are against them. The second is, to reserve to a mans self a fair retreat. For if a man engage himself by a manifest declaration, he must go through or take a fall. The third is, the better to discover the mind of another. For to him that opens himself, men will hardly show themselves adverse; but will fair let him go on, and turn their freedom of speech, to freedom of thought. And therefore it is a good shrewd proverb of the Spaniard, Tell a lie and find a troth; as if there were no way of discovery, but by simulation. There be also three disadvantages, to set it even. The first, that simulation and dissimulation commonly carry with them a show of fearfulness, which in any business, doth spoil the feathers, of round flying up to the mark. The second, that it puzzleth and perplexeth the conceits of many, that perhaps would otherwise co-operate with him; and makes a man walk almost alone, to his own ends. The third and greatest is, that it depriveth a man of one of the most principal instruments for action; which is trust and belief. The best composition and temperature, is to have openness in fame and opinion; secrecy in habit; dissimulation in seasonable use; and a power to feign, if there be no remedy.

On The Beach At Night Alone By Walt Whitman Essays - Brooklyn Eagle

On the Beach at Night Alone by Walt Whitman In ?On the Beach at Night Alone,? Walt Whitman develops the idea that everyone has a connection with everything else, including nature. Whitman uses a variety of writing techniques to get his point across. First, the repetition and parallel structure that his poems contain reinforce the connection between everything in nature. The usage of ?All? 11 times emphasizes the inclusion of everything in the universe. The sentence structure remains the same throughout the poem, without any drastic change; however, the length of the lines in the poem vary. In addition, Whitman's' extravagance with his words further illustrates his idea of the Over-Soul. For example, ?A vast similitude interlocks all? (4) shows his verbose nature. Whitman does not do directly to the point, but gives every little detail. Most importantly, Whitman's' use of catalogues stands as the most recognizable Whitman characteristic that illustrates his beliefs. These long lists that he uses set the mood of the poem. ?All s pheres, grown, ungrown, small, large, suns, moons, planets,? (5) shows the idea that everything is connected in nature. Similarly, ?All nations, colors, barbarisms, civilizations languages.? (10) furthermore emphasize Whitman's belief in the Over-Soul. Although Whitman uses a great deal of structural ways to stress his ideas, he also uses many other ways of delivering his ideas. First of all, Whitman portrays himself as a public spokesman of the masses. The tone of the poem is a very loud, informative tone that grabs ones attention. The emphasis placed on the word ?all? adds to the characterization of Whitman as a powerful speaker. Furthermore, Whitman takes part in his own poem. Participating in his own poem, Whitman moreover illustrates the connection between everything in life. Lastly, Whitman, most of all, celebrates universal brotherhood and democracy. Once again, the inclusion of the word ?all? so many times demonstrates Whitman's belief in that everyone is connected no matter what their position is in society. Whitman stresses the fact that all humans are equal in that ?All identities that have existed or may exist on this globe? (11) share similar connections with nature. Ultimately, Whitman's belief in the Over-Soul reveal s the bond between nature and the universe.